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                  <text>Remembering:

“Petals of Hope”
Artistic responses to the Omagh Bomb

Conversations with Carole Kane and Malachi O’Doherty
1

�Molly Montague and Bridie Breen
“She opened a whole new world in Carrickmore …”
We met up with Mary at the patchwork. Well I had known her some time before that,
Mary and her sister had came from Mallow in county Cork and they met up with two
brothers from Beragh, the Grimes brothers. They married in due course. They were two very
pleasant ladies, Mary and Joan.
Mary had exceptionally good hands, it would be fair to say, at craft work. She had a great
connection of ﬁnding specialist materials and fabrics because her daughter worked
and was associated with textiles in Harrods, isn’t that right? And we enjoyed Mary coming
every night because Mary from time to time had all of these beautiful, beautiful different
classes of thread and different classes of fabrics and she opened a whole new world
in Carrickmore to this because we were working on basics and she had some lovely
patterns which we’d pick up as well. So, we enjoyed all of this unveiling when Mary came
along with all this different stuff, particularly at Christmas time, I remember her having
some nice Christmas and autumnal things with her.
So, we set to work together at that line and her sister Joan of course, accompanied her
on most nights so the crack was mighty.
She spoke with, of course, the great southern accent which some of us didn’t fully
understand all the time but we tuned in as best we could, had a cup of tea and the
normal banter and crack.
Patchworking started, with people, I suppose, where they didn’t have a lot. And to make
different quilts for their beds, they used whatever scraps they had. That was really the
origins of it, wasn’t it? It was using just patches of material from children’s dresses maybe
or blouses or men’s shirts or whatever. Some people went on to make men’s ties which
became very popular.
The designs became a bit more elaborate, and I suppose we got interested in mixing
colours and design and became clued in to that sort of thing. But it was really about the
company and the get together; that’s just what it was.
On a Thursday evening, we would have had an evening out. We’d been together for a
number of years it was fair to say, hadn’t we? And then Carole came in somewhere along
the line and we were asked if a few ladies would get together at the time of the tragedy
of the Omagh bomb. We were involved in Petals of Hope with Carole, we got a great lot
of satisfaction. I think I’m right in saying that Carole ended up coming to Carrickmore to
ﬁnish with us at the wind up.
Mary and her daughter were both killed in the bomb. Her daughter was expecting twins.
It was a terrible tragedy. i suppose the awfulness as with everyone else, is such worthwhile
people being lost because she was just a sweetheart, wasn’t she?

24

�This publication has received support from the Victims Support Programme for Groups
Working with Victims and Survivors, which is administered by VSS on behalf of the Ofﬁce of
the First and Deputy First Minister. The views expressed do not necessarily reﬂect those of
the Victims and Survivors Service.

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                <text>Some of the recorded stories can be found at the 'Petals of Hope Revisited' blog: &lt;a href="http://www.omaghpetals.blogspot.co.uk/" target="_blank"&gt;www.omaghpetals.blogspot.co.uk/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;See also:&lt;/strong&gt;&lt;br /&gt; Information about the original Petals of Hope project on Carole Kane's website: &lt;a href="http://www.carolekane.com/index.php?/petals-of-hope/" target="_blank"&gt;www.carolekane.com/&lt;/a&gt;</text>
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                <text>The Remembering 'Petals of Hope' project (2013-14) produced a collection of 15 audio visual and 23 written stories related to the Omagh Bomb (15 August 1998). The work involved in conducting the interviews and producing the recordings was carried out by Carole Kane and Malachi O'Doherty.&lt;br /&gt; Carole Kane, a freelance artist / community arts facilitator, was involved in the original 'Petals of Hope' project (1998-99) in association with Omagh District Council, which, with the assistance of children from Omagh, transformed floral tributes left at the scene of the bomb into handmade paper and art work. This resulted in an exhibition in the spring and summer of 1999 and the publication of the exhibition catalogue entitled 'Petals of Hope' (1999).</text>
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                <text>See also:&lt;br /&gt;&lt;em&gt;The booklet:&lt;/em&gt; &lt;br /&gt;&lt;strong&gt;Kane, Carole., and O'Doherty, Malachi.&lt;/strong&gt; (2014). Remembering: "Petals of Hope" - Artistic responses to the Omagh Bomb. Omagh: VSS and Omagh District Council.&lt;br /&gt;&lt;em&gt;Web sites:&lt;/em&gt;&lt;br /&gt;&lt;a href="http://www.carolekane.com" target="_blank"&gt;www.carolekane.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/" target="_blank"&gt;www.omagh.gov.uk&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/district_of_omagh/omagh_remembers/petals_of_hope/" target="_blank"&gt;www.omagh.gov.uk/district_of_omagh/omagh_remembers/petals_of_hope/&lt;/a&gt;&lt;br /&gt; The original exhibition catalogue:&lt;br /&gt;&lt;strong&gt;Kane, Carole.&lt;/strong&gt; (1999). Petals of Hope. Omagh: Omagh District Council.&lt;br /&gt;The catalogue is available to purchase at this Web page:&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/culture_leisure_and_tourism/visitor_services/online_book_store/?bookID=31" target="_blank"&gt;www.omagh.gov.uk/culture_leisure_and_tourism/visitor_services/online_book_store/?bookID=31&lt;/a&gt;</text>
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                <text>Carole Kane (carolekane@btinternet.com)&lt;br /&gt;Jean Brennan, Arts Manager, Omagh District Council (jean.brennan@omagh.gov.uk)</text>
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