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                    <text>�'Perceptions begins to confront language, history and topography because it enables us to talk to
rather than at each other by acclaiming the richness in diversity.'
Professor Paul Arthur, Department of Politics, University of Ulster.

War is an ever-present feature of human history. Most countries have at some stage experienced
struggles between different cultures contained within their boundaries, and invariably the opposing
factions have each perceived their own actions to be just. In few places has this been more pronounced
than Ireland, where the most recent phase of conflict, simply known as the troubles, is the longest
running dispute of its kind and has so far resisted all attempts at resolution. It has always involved
a multi-faceted and complex conflict of mindsets and cultures: Nationalist/Unionist; Protestant/
Catholic; Irish/British; Loyalist/Republican, and their many subdivisions.
Perceptions: Cultures in Conflict documents the experiences, beliefs, viewpoints and aspirations
of a representative collection of people from Derry closely involved with the latest phase of the
troubles in the city and throughout Northern Ireland. Based around a series of personal interviews
conducted between September 1995 and April 1996, it covers the period from the origins of the
troubles in the civil rights agitation of the 1960s, through almost three decades of violence, up to
the ceasefires of 1994 and beyond.
In a period of increased tension and uncertainty in the North, Perceptions gives a valuable
insight into the hearts and minds of a cross section of its inhabitants; what they think of the past,
what they want for the future, and how they view each other.

Includes contributions from John Hume, Martin Me Guinness, Gregory Campbe/1, Glen Barr,
Nell McCafferty, Marlene Jefferson, Eamonn McCann and David Nicho/1.

GUILDHALL PRESS

ISBN 0 946451 32 X

COMMUNITY BOOK PUBLISHERS

£5.95

�</text>
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                    <text>Remembering:

“Petals of Hope”
Artistic responses to the Omagh Bomb

Conversations with Carole Kane and Malachi O’Doherty
1

�Elaine Gallagher
Song
The grass seems greener,
They say I’m a dreamer,
For trying to look at the brighter side...
The suns seems warmer,
than the former,
Maybe because I no longer hide...
The hurt, the tragedy, the questions,
the impact.
We continue to search although we may never ﬁnd fact...
For answers to our questions,
to try and make connections,
to work out the intentions and somehow subtract...
Overcome by the loss yet compelled by peace
to carry on and let my feelings be released
I dream of a day when there is war no more.
To ﬁnd this hope in others I will continue to explore...
What is peace? What is love?
We each have our hopes
of what is to come.

33

�This publication has received support from the Victims Support Programme for Groups
Working with Victims and Survivors, which is administered by VSS on behalf of the Ofﬁce of
the First and Deputy First Minister. The views expressed do not necessarily reﬂect those of
the Victims and Survivors Service.

�</text>
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                  <text>Some of the recorded stories can be found at the 'Petals of Hope Revisited' blog: &lt;a href="http://www.omaghpetals.blogspot.co.uk/" target="_blank"&gt;www.omaghpetals.blogspot.co.uk/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;See also:&lt;/strong&gt;&lt;br /&gt; Information about the original Petals of Hope project on Carole Kane's website: &lt;a href="http://www.carolekane.com/index.php?/petals-of-hope/" target="_blank"&gt;www.carolekane.com/&lt;/a&gt;</text>
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                  <text>The Remembering 'Petals of Hope' project (2013-14) produced a collection of 15 audio visual and 23 written stories related to the Omagh Bomb (15 August 1998). The work involved in conducting the interviews and producing the recordings was carried out by Carole Kane and Malachi O'Doherty.&lt;br /&gt; Carole Kane, a freelance artist / community arts facilitator, was involved in the original 'Petals of Hope' project (1998-99) in association with Omagh District Council, which, with the assistance of children from Omagh, transformed floral tributes left at the scene of the bomb into handmade paper and art work. This resulted in an exhibition in the spring and summer of 1999 and the publication of the exhibition catalogue entitled 'Petals of Hope' (1999).</text>
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                  <text>See also:&lt;br /&gt;&lt;em&gt;The booklet:&lt;/em&gt; &lt;br /&gt;&lt;strong&gt;Kane, Carole., and O'Doherty, Malachi.&lt;/strong&gt; (2014). Remembering: "Petals of Hope" - Artistic responses to the Omagh Bomb. Omagh: VSS and Omagh District Council.&lt;br /&gt;&lt;em&gt;Web sites:&lt;/em&gt;&lt;br /&gt;&lt;a href="http://www.carolekane.com" target="_blank"&gt;www.carolekane.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/" target="_blank"&gt;www.omagh.gov.uk&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/district_of_omagh/omagh_remembers/petals_of_hope/" target="_blank"&gt;www.omagh.gov.uk/district_of_omagh/omagh_remembers/petals_of_hope/&lt;/a&gt;&lt;br /&gt; The original exhibition catalogue:&lt;br /&gt;&lt;strong&gt;Kane, Carole.&lt;/strong&gt; (1999). Petals of Hope. Omagh: Omagh District Council.&lt;br /&gt;The catalogue is available to purchase at this Web page:&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/culture_leisure_and_tourism/visitor_services/online_book_store/?bookID=31" target="_blank"&gt;www.omagh.gov.uk/culture_leisure_and_tourism/visitor_services/online_book_store/?bookID=31&lt;/a&gt;</text>
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                  <text>Carole Kane (carolekane@btinternet.com)&lt;br /&gt;Jean Brennan, Arts Manager, Omagh District Council (jean.brennan@omagh.gov.uk)</text>
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                    <text>Remembering:

“Petals of Hope”
Artistic responses to the Omagh Bomb

Conversations with Carole Kane and Malachi O’Doherty
1

�Trudy Sharkey
“We sort of just drifted
in and out and we still
had no cofﬁn so there
was an on going sort of
wake.”
At about ten to six, Louise, Brian’s
daughter had come in the back door
and she was saying, “daddy’s missing”.
We weren’t even worried at that time. We knew he was missing but he was such a good
person, we knew that he was doing something. There were no phones; you couldn’t say
I’m here, it’s ok. So you know, really I was very placid about it all because I knew he was
ok because he was doing something and couldn’t phone anybody. So, we tried to calm
Louise down a bit. Her brother Colin had been in the town and he and another girl, went
out to offer their services at the hospital, to help. His girlfriend at the time was training to
be a doctor, I think.
So my brother and I got into the car and drove out to the Arleston Road, to the back of
the hospital. I think the soldiers were there at the time, or the police. We said that our
brother was missing. We wanted to check the car parks to see where the car was, so they
led us to the roundabout. I got out of the car and I don’t even know if my brother was with
me at the time or if he parked the car and I walked on.
Louise had said that her daddy would park the car at the back of a row of shops, so you
couldn’t just look down and see a parked car or something. I walked round by Dunnes
Stores and I could see the back of the shops and I saw the cars sitting at the back of the
shops and his car was still there. So that’s when we started to panic. Then we said, well the
car’s there, so he’s not away helping somebody. Then you go onto another scenario. You
think, right the car’s there so he couldn’t get the car out, so he’s in somebody else’s car
helping; he’s away with somebody else and obviously he can’t contact anybody so he’s
in somebody else’s car, helping somebody. People had said at the time, there had been
people put in buses you know, so I thought, well he’s probably in one of the buses and
he’s helping, you know helping to maybe take people to Enniskillen.
I don’t know if it was a bit of a blur. Colin, Brian’s son had been out at the County Hospital,
so he was able to clarify that he wasn’t out at the County and that he hadn’t been found.
So then we thought, well he must have been taken to some of the other hospitals you
know, so, I don’t know, we sort of all started to gather.

31

�We’d been to my sister-in-laws house and then we all went to the leisure centre and sort of
walked about waiting.
I think at that stage, there was nine conﬁrmed dead and then as the evening would go
on, it would be ten and it would be eleven and you just thought, well it’s going to stop
soon, you know. We stayed there all night and I remember my other brother. We hadn’t
really been in contact with him and I’d said to my sister-in-law, maybe we should go up
and tell Noel, cause the rest of us all seemed to be about, because we all live quite
locally. So we went up, I think it was about 12 o’clock. It was still clear and bright and my
sister and I drove up to my sister-in-law’s house to tell her that we hadn’t found Brian and
she was sort of, “well do you think will he be alright? Do you think will he be ok?’
And we said, “well no Margaret, we can’t... “
So anyway, we got into the car and went back down to the leisure centre and we all
walked about. My brother at that stage had come down into the leisure centre to join
in with us and we stayed in the leisure centre and I think it was eight o’clock Mass that
Sunday morning and we all went to Mass and then the rest of the day, we sort of just
drifted in and out and we still had no cofﬁn so there was an on going sort of wake.
I suppose by about Saturday night or maybe Sunday, we still thought but there was
nothing happening.
It’s very hard, when you’re not in that situation. It’s all right standing back now and we
see so many detective ﬁlms on the television and you think to yourself, you could get
arrogant, and you could say, well we should have been told this, and we should have
been told that, and it’s not getting you anywhere. You were depending on people doing
their jobs correctly and trusting that people would tell you the right information but it was
getting very difﬁcult.
The police were coming to the house on, I think, the Monday and they were trying to get
ﬁnger prints. My sister-in-law, Brian’s wife Bernadette, she’s so clean, she’d nearly have been
annoyed if they got ﬁnger prints because everything would be immaculate, you know.
When you used to get photographs developed - I know now, we’ve all got digital cameras
and we don’t use prints much but when you would get photographs developed, you would
get a wee photo album free with the photos and Brian had left in photos, probably of his
crane and horrible things but they were his wee things. So he had put the photographs into
the wee album. The police had been all around the house, with powder and they were
in cars and they were trying to get ﬁnger prints and that, so they took away the wee photo
album and they got ﬁnger prints and it was through that they conﬁrmed it.
And again, as much as he was our brother, because it was Bernadette’s family we didn’t
want to start butting in and start asking, what’s happening? or what have they told you?
We were waiting just to be told, you know. So I think by Tuesday then, they had conﬁrmed
that he was dead.

32

�This publication has received support from the Victims Support Programme for Groups
Working with Victims and Survivors, which is administered by VSS on behalf of the Ofﬁce of
the First and Deputy First Minister. The views expressed do not necessarily reﬂect those of
the Victims and Survivors Service.

�</text>
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                  <text>Some of the recorded stories can be found at the 'Petals of Hope Revisited' blog: &lt;a href="http://www.omaghpetals.blogspot.co.uk/" target="_blank"&gt;www.omaghpetals.blogspot.co.uk/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;See also:&lt;/strong&gt;&lt;br /&gt; Information about the original Petals of Hope project on Carole Kane's website: &lt;a href="http://www.carolekane.com/index.php?/petals-of-hope/" target="_blank"&gt;www.carolekane.com/&lt;/a&gt;</text>
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                  <text>The Remembering 'Petals of Hope' project (2013-14) produced a collection of 15 audio visual and 23 written stories related to the Omagh Bomb (15 August 1998). The work involved in conducting the interviews and producing the recordings was carried out by Carole Kane and Malachi O'Doherty.&lt;br /&gt; Carole Kane, a freelance artist / community arts facilitator, was involved in the original 'Petals of Hope' project (1998-99) in association with Omagh District Council, which, with the assistance of children from Omagh, transformed floral tributes left at the scene of the bomb into handmade paper and art work. This resulted in an exhibition in the spring and summer of 1999 and the publication of the exhibition catalogue entitled 'Petals of Hope' (1999).</text>
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                  <text>See also:&lt;br /&gt;&lt;em&gt;The booklet:&lt;/em&gt; &lt;br /&gt;&lt;strong&gt;Kane, Carole., and O'Doherty, Malachi.&lt;/strong&gt; (2014). Remembering: "Petals of Hope" - Artistic responses to the Omagh Bomb. Omagh: VSS and Omagh District Council.&lt;br /&gt;&lt;em&gt;Web sites:&lt;/em&gt;&lt;br /&gt;&lt;a href="http://www.carolekane.com" target="_blank"&gt;www.carolekane.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/" target="_blank"&gt;www.omagh.gov.uk&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/district_of_omagh/omagh_remembers/petals_of_hope/" target="_blank"&gt;www.omagh.gov.uk/district_of_omagh/omagh_remembers/petals_of_hope/&lt;/a&gt;&lt;br /&gt; The original exhibition catalogue:&lt;br /&gt;&lt;strong&gt;Kane, Carole.&lt;/strong&gt; (1999). Petals of Hope. Omagh: Omagh District Council.&lt;br /&gt;The catalogue is available to purchase at this Web page:&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/culture_leisure_and_tourism/visitor_services/online_book_store/?bookID=31" target="_blank"&gt;www.omagh.gov.uk/culture_leisure_and_tourism/visitor_services/online_book_store/?bookID=31&lt;/a&gt;</text>
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        <src>https://k8s-accounts-01.ulster.ac.uk/repo24/files/original/a47887f20fbb7ed837822471e52d624d.pdf</src>
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                    <text>Remembering:

“Petals of Hope”
Artistic responses to the Omagh Bomb

Conversations with Carole Kane and Malachi O’Doherty
1

�Patsy Gallagher
“And then from all over the world, they did know us
and they started writing.”
I was reading them there last week again. A lot of people could relate. They had maybe
lost a son or they had a son of the same age, maybe going on to be a mechanic or
something like that. He was in bodywork, you know; they related through that. Or they
had somebody belonging to them who had died young, killed in a road accident, or by
suicide or something like that.
Aidan was 37 yesterday. They were saying that they had children of the same age, so
they’re going to be 37 or round that as well, so it would be difﬁcult for me to now sit down
and start writing to them because you are not writing to the person that wrote to you.
You’re writing to a person that’s a lot older and has moved on.
And if they had a tragedy they would probably be the same as myself. They would be
getting round it, coming to terms with it. I mean, all you could really do is thank them for
thinking of you at the time and for their support.
And you know when somebody dies in the house you think, well it’s only the neighbours
that know and relations but in his case, it seemed to be everyone who knew.
It was deﬁnitely comforting, but you know, at the time that you were getting them, you just
wanted him back. But it was comforting that the people were relating to you and that. But
still in all, you know, your head wasn’t in the right place. You still wanted him back.
And I remember at the funeral, there was a man and woman and they couldn’t do
anything. They just got into the car. They were from Belfast and they drove and they found
out where the graveyard was and they arrived for the funeral that day, because they had
a son that was killed as well.
You know and that was, that was something that I thought an awful lot of.

30

�This publication has received support from the Victims Support Programme for Groups
Working with Victims and Survivors, which is administered by VSS on behalf of the Ofﬁce of
the First and Deputy First Minister. The views expressed do not necessarily reﬂect those of
the Victims and Survivors Service.

�</text>
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                  <text>Some of the recorded stories can be found at the 'Petals of Hope Revisited' blog: &lt;a href="http://www.omaghpetals.blogspot.co.uk/" target="_blank"&gt;www.omaghpetals.blogspot.co.uk/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;See also:&lt;/strong&gt;&lt;br /&gt; Information about the original Petals of Hope project on Carole Kane's website: &lt;a href="http://www.carolekane.com/index.php?/petals-of-hope/" target="_blank"&gt;www.carolekane.com/&lt;/a&gt;</text>
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                  <text>The Remembering 'Petals of Hope' project (2013-14) produced a collection of 15 audio visual and 23 written stories related to the Omagh Bomb (15 August 1998). The work involved in conducting the interviews and producing the recordings was carried out by Carole Kane and Malachi O'Doherty.&lt;br /&gt; Carole Kane, a freelance artist / community arts facilitator, was involved in the original 'Petals of Hope' project (1998-99) in association with Omagh District Council, which, with the assistance of children from Omagh, transformed floral tributes left at the scene of the bomb into handmade paper and art work. This resulted in an exhibition in the spring and summer of 1999 and the publication of the exhibition catalogue entitled 'Petals of Hope' (1999).</text>
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                  <text>See also:&lt;br /&gt;&lt;em&gt;The booklet:&lt;/em&gt; &lt;br /&gt;&lt;strong&gt;Kane, Carole., and O'Doherty, Malachi.&lt;/strong&gt; (2014). Remembering: "Petals of Hope" - Artistic responses to the Omagh Bomb. Omagh: VSS and Omagh District Council.&lt;br /&gt;&lt;em&gt;Web sites:&lt;/em&gt;&lt;br /&gt;&lt;a href="http://www.carolekane.com" target="_blank"&gt;www.carolekane.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/" target="_blank"&gt;www.omagh.gov.uk&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/district_of_omagh/omagh_remembers/petals_of_hope/" target="_blank"&gt;www.omagh.gov.uk/district_of_omagh/omagh_remembers/petals_of_hope/&lt;/a&gt;&lt;br /&gt; The original exhibition catalogue:&lt;br /&gt;&lt;strong&gt;Kane, Carole.&lt;/strong&gt; (1999). Petals of Hope. Omagh: Omagh District Council.&lt;br /&gt;The catalogue is available to purchase at this Web page:&lt;br /&gt;&lt;a href="http://www.omagh.gov.uk/culture_leisure_and_tourism/visitor_services/online_book_store/?bookID=31" target="_blank"&gt;www.omagh.gov.uk/culture_leisure_and_tourism/visitor_services/online_book_store/?bookID=31&lt;/a&gt;</text>
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                  <text>Carole Kane (carolekane@btinternet.com)&lt;br /&gt;Jean Brennan, Arts Manager, Omagh District Council (jean.brennan@omagh.gov.uk)</text>
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